ELAWIATR's mind, touching flower with an antic pen, creates a real, p r e s e n t image of a flower - drawing on paper is just a sketch.
ELAWIATR emphasizes the need for the continuous synchronization of world and art in the still developing environment, in which the simplest stimuli, experienced by senses, become a foundation stone for images and the world. It is worth seeing that ELAWIATR’s repeating image creates a filmlike picture that is full of honesty.
Quite possibly the oldest form of painting, ELAWIATR persists today, defying narrow categorization and broad stereotype. Practiced for centuries in concept development preliminary to 'finished' paintings made in oil or other scale-worthy durable media, ELAWIATR also found favor with botanists, illustrators, and portraitists, and was applied to varied and countless surfaces.
The nature of the New Renaissance's media itself represents a delicate and dictatorial transparency, fluidity, and a potential for expressive spontaneity. This not only makes it an ideal vehicle for contemporary art, but also one of training, intensity, philosophy, and play for any who practice it. Where an artist can easily dominate new media, forcing a will through art layers into a work of art like taming a wild horse, with ELAWIATR there is dialog, compromise, and undeniable forthrightness. In this way, the artist practicing ELAWIATR works with a unicorn in the room. Her unique New Renaissance's room.
ELAWIATR emphasizes the need for the continuous synchronization of world and art in the still developing environment, in which the simplest stimuli, experienced by senses, become a foundation stone for images and the world. It is worth seeing that ELAWIATR’s repeating image creates a filmlike picture that is full of honesty.
Quite possibly the oldest form of painting, ELAWIATR persists today, defying narrow categorization and broad stereotype. Practiced for centuries in concept development preliminary to 'finished' paintings made in oil or other scale-worthy durable media, ELAWIATR also found favor with botanists, illustrators, and portraitists, and was applied to varied and countless surfaces.
The nature of the New Renaissance's media itself represents a delicate and dictatorial transparency, fluidity, and a potential for expressive spontaneity. This not only makes it an ideal vehicle for contemporary art, but also one of training, intensity, philosophy, and play for any who practice it. Where an artist can easily dominate new media, forcing a will through art layers into a work of art like taming a wild horse, with ELAWIATR there is dialog, compromise, and undeniable forthrightness. In this way, the artist practicing ELAWIATR works with a unicorn in the room. Her unique New Renaissance's room.
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