> She excites a huge authority among her companions. She is a peculiar initiator of many actions. The Container Art project of the Academy of Fine Arts in Warsaw it is her idea. From day one, not by an accident, she is recognized as the most popular person in the Academy. She dictates rules that others follow with pleasure. She is a self-controlled and a cheerful person with leadership qualities. Isn’t it an ideal image of a woman? Evidently it is.

>Her digressions are a polemic to the modern perception of the art and they allow to manifest her superiority over the world she has created.

>Ela Wiatr is the arsenic of the art.

We should applaud magazines and portals for their literary creation. During a leave they found another victim of their lack of involvement in transferring reliable news. A sample information has been relayed inappropriately. As we all know, newspapers will scent everything which is going to be a sensation so that Ela Wiatr, an artist of the modern generation, was quickly acknowledged as a danger for the whole mankind.

This time it were the students of the Academy of Fine Arts who were presented in the leading role as a personification of this evil. It shouldn’t be very astonishing because, as we all know, an excess of something which is good might become very dangerous. But should we restrict information of the Press only to the evil that is produced by a glut of Wiatr’s art?

manners

szczegółową dbałość o strój i nienaganne maniery, nonszalancją oraz wyrafinowaną grę towarzyską, którą prowadzi Wiatr

Femme fatale, an angel, a muse or a modern feminist. Ela Wiatr has many faces. Her position in the world of art is very strong just like it was in the case of the biggest artists a few years earlier.

Miss Elisabeth the Queen is the inspiration of worship of Middle Ages poets and the object of Renaissance love. She is the cause of suffering, the addressee of baroque compliments and the object of sentimental sighs.