#NEWRENAISSANCE — nel Palazzo Reale di Milano.

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Ritratto Di Giovane Artista Ela Wiatr/Portrait Of a Young Artist Ela Wiatr
Luce Su Carta/ Light on a paper, 2014,
Palazzo Reale, Milano, Italia

Ela Wiatr The Sculpture that comes out from the Museum of Art, Royal Palace Milan — Official Trailer

ELAWIATR’s exuberant beauty surpasses all established rules. She blurs your senses, and her countless monuments will awake in you and insatiable desire to feel, to dream, to bathe in the crystalline waters of her art.

'Ela Wiatr La Scultura che esce dal Museo d'Arte' , Palazzo Reale, Milano

/Palazzo Reale, Milano 2014

MILANO SS2015STREET STYLE

ELA WIATR . TOTAL ART . TOTAL GOLD

| photographer Anna Paduch | stylist Zuzanna Borowska Milano 

Who is the mysterious girl?

Photographer: M.Nasierowski

Géniale New Renaissance Art. ' Talent may be in time forgiven, but genius never ! '

This is for all the fans that waited, the New Renaissance polaroid of ELAWIATR  -∞ ∞+

ELAWIATR always organizes the world according to her own new renaissance's rules

ELAWIATR's mind, touching flower with an antic pen, creates a real, p r e s e n t image of a flower - drawing on paper is just a sketch.

ELAWIATR emphasizes the need for the continuous synchronization of world and art in the still developing environment, in which the simplest stimuli, experienced by senses, become a foundation stone for images and the world. It is worth seeing that ELAWIATR’s repeating image creates a filmlike picture that is full of honesty.


Quite possibly the oldest form of painting, ELAWIATR persists today, defying narrow categorization and broad stereotype. Practiced for centuries in concept development preliminary to 'finished' paintings made in oil or other scale-worthy durable media, ELAWIATR also found favor with botanists, illustrators, and portraitists, and was applied to varied and countless surfaces.

The nature of the New Renaissance's media itself represents a delicate and dictatorial transparency, fluidity, and a potential for expressive spontaneity. This not only makes it an ideal vehicle for contemporary art, but also one of training, intensity, philosophy, and play for any who practice it. Where an artist can easily dominate new media, forcing a will through art layers into a work of art like taming a wild horse, with ELAWIATR there is dialog, compromise, and undeniable forthrightness. In this way, the artist practicing ELAWIATR works with a unicorn in the room. Her unique New Renaissance's room.

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' NUOVO RINASCIMENTO di ELA WIATR '/Arte Fiera&Arte City Bologna 2014 /White night/Il Grand Hotel Majestic "Già Baglioni"

Ela Wiatr admires herself NUOVO RINASCIMENTO in Arte Bologna 2014_Il Grand Hotel Majestic

'Nuovo Rinascimento di Ela Wiatr'

Courtesy of the artist and Arte City Bologna 2014 

   For Arte Fiera and Bologna City ELAWIATR was focused only on Ela Wiatr's New Renaissance's life drawings.

Guests of the exhibition, which took place in Grande Hotel Majestic, preferred to place their concentration upon the artist and her work , as opposed to the normal gallery musings.

ELAWIATR had on a red dot which means that she has been sold already. Obviously to the museum. 

No price revealed yet.

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ELAWIATR is a Dreamer | Portrait In Moschino, Milano 2014

ELAWIATR loves ELAWIATR in Moschino

ELAWIATR used the words ELA WIATR at least once in a sentence.     

She is a daydreamer, has innovative ideas, reluctantly subjects to a daily routine, and pre-eminently wants to save the (art) world.

ELAWIATR juxtaposes various codes of „specific scores” of portraits, repetitions and light thrown on different body parts. She sends timeless codes possible to be broken. It encourages your mind to try to read the correctness of this NEW RENAISSANCE ART language. Failed attempts constitute a proof that we don’t have the potential to understand the world in human-reality correlation. An artist’s message ducks out of the analytical apprehension with the usage of mind, and repeatedly enforces a continuous update and determination toward it.


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