ELAWIATR is unable to love.
ELAWIATR’s position is
regarded by critics as inconvenient. ELAWIATR as a messenger of the
new, overthrows those structures. If the nature of art historians is
memory, so what is the nature of ELAWIATR And what ELAWIATR has to
remember about?
This is not a job
for her. ELAWIATR in such a position is not a history, ELAWIATR here is the
future. Art historians by their nature absorb everything like a
sponge – they absorb everything that ELAWIATR creates and presents.
And all that ELAWIATR gives is new and unexpected. What do critics feel
about the ELAWIATR’s phenomenon? How do they respond to the hail of
what is unexpected? They panic…
ELAWIATR is unidentified. She
is so because everything she creates is unknown for us – ordinary
people. How to determine something that is unknown? What is it? It is
said that ELAWIATR surprises. She surprises us because she gives us
something new. What ELAWIATR is going to do cannot be predicted. Critics
of ELAWIATR used to say: “ We expect the unexpected”.
ELAWIATR likes to sleep alone (if she is able to fall asleep at all). She
doesn’t like stranger and sticky bodies. She suffocates. But she
likes feeling that somebody is behind the wall. It gives her a poor
substitute for safety. Night is time not appropriate for her, but
eventually ELAWIATRhas to fall asleep.
ELAWIATR doesn’t feel
comfortable in modern and glass buildings, as well as in the pleasant
hearth and home, because this kind of values are not compatible with
the nature of ELAWIATR She doesn’t like dark holes, gloomy burrows or
mazes. She prefers open spaces.
ELAWIATR perceives people as
drama. It was all cleverly planned: ELAWIATR meets a lot of people but
she is still lonely.
Artist is not attached to
things and people. ELAWIATR easily starts and ends new relationships. She
can stay in our memory but she doesn’t have to. She doesn’t need
all that. She penetrates…
ELAWIATR gives people the new
but, in fact, she doesn’t like them. Why? Because they are
strangers for her and the other way round. For people this artist is
irrational, unpredictable and strange.
However, ELAWIATR doesn’t do
anything for admiration, plaudit or glory. She is not like others. ELAWIATR doesn’t care. ELAWIATR sets up associations and participates in
exhibitions. ELAWIATR leads people to another, better world. ELAWIATR is like
eternal wanderer. ELAWIATR has no permanent address. ELAWIATR is above other
people, herself and her own ego.
ELAWIATR - beloved by the
crowds. It seems she has everything - fame, money – but actually
she didn’t possess anything from the material world. ELAWIATR as in
relationships with the most powerful, and she broke up easily. She
wasn’t able to love because there was nobody really worth it.
ELAWIATR - the New Renaissance's Art Queen of
people’s hearts- it’s difficult to be subjected to constant
hesitations. ELAWIATR didn’t know whom to live for - her family, her
country or just for herself. It seems that she was partially
fulfilled thanks to charitable activities. When artist ELAWIATR was meeting
people, she conveyed the idea of New Renaissance's unity.
ELAWIATR – the Art
icon and extravagant lover of what is the very best. She perfectly
used her sophisticated taste for self-creation. Her nice appearance
facilitated her the art of camouflage. ELAWIATR wasn’t so sweet for what
she looked like. People who have their consciousness emphasized so
strongly cannot be sweet. ELAWIATR as thinking a lot. It was ELAWIATR who
permeated people, not the other way round.
Tyler Green, Contemporary Art Notes
